Works for Orchestra
 
Cloak of 'Allophenia – (2016) 10 minutes 
Instrumentation: 2222/2220/Timp. + 2/harp/strings
 
From the Vortex Perspective (2015) - 17 minutes
For live cinema and orchestra, Peter Mettler - live cinema
Orchestration: 3*(2nd also alto, 3rd also picc.)3*(also E.H.)3*(also B.Cl.)3*(also C.Bsn.)/4.3.3.1/timp. + 3 perc./pno. (also celeste)/ hp/strings 10.8.6.6.4 suggested.
 
Mojave Dreaming (2014) – 14 minutes
Orchestration: harpsichord*(also optional sampler part)/strings 6.5.4.3.2 minimum
 
Phantom Suns (2012) – 17 minutes                                      
Orchestration: 3*(2nd also picc., 3rd also alto)3*(also E.H.)3*(also B.Cl.)3*(C.Bsn.)/4.3.3.1/3 perc./pno./hp/10.8.6.6.4 sugg.       
 
Sarantine Polyphony (2009-2010) – 20 minutes                                                      
Orchestration: strings 5.4.3.3.1 minimum
 
Ochus Bochus (2008-2009) – 14 minutes                                                  
Orchestration: 2*(picc.)-2*(E.h.)-2*(b.cl.)-2*(C.bsn.)/2.0.0.0/piano*(synth)/3 perc./strings 5.4.3.3.1. min.
 
Lila (2006) version for 2 orchestras – 18 minutes           
Orchestra 1: 2.1.1.2*(C.Bsn.)/2.1.2/2 perc./piano/strings                                       
Orchestra 2: 1*(picc.).2*(e.h.).2.1/2.2.1.1/Timp. + 1/harp/strings
 
Lila (2005) version for 2 ensembles – 18 minutes           
Ensemble 1: 1*(picc.)1.1.1/1.1.1/2 perc./piano/1.1.1.1.1                                               
Ensemble 2: 1*(picc.)1*(e.h.)1.1/1.1.1/1 perc./organ/1.1.1.1.1
 
Sanctuary (2005) – 24 minutes                                                                
Orchestration: 2*(picc.)2*(e.h.)2*(b. cl.)2*(c.bsn.)/2.2.1.1/3 perc./timp./harp/piano/6.6.4.4.2(minimum)
 
Subliminal Media (2001) – 16 minutes                                                  
Orchestration: 1*(picc.)1*(e.h.)2*(b. cl.)1/1.1.1/2 perc./2 piano*(celeste)/2.2.2.2.1 (minimum)       
 
Elixirs (2000) – 16 minutes                                     
Orchestration: 2*(picc.)2*(E.H.)2*(B. Cl.)2/2.2.2.1(trombone and tuba parts are optional)/timp. +1/pno.*(cel.)/strings
 
Overture 2000 (1999) – 7 minutes                     
Orchestration: 3*(picc.)3*(e.h.)3*(b. cl.)3*(c. bsn.)/4.3.3.1/3 perc./timp./harp/strings
 
 
 
Large Ensemble (7-15 players)
 
Sometimes the Devil Plays Fate (2020) - 20 minutes
for solo mezzo soprano and large ensemble
 
Voluptuous Panic (2010) – 12 minutes                                                                                       
Orchestration: 1*(picc.).1.1 b. cl..1/1.1.1.0/piano/1 perc/1.1.1.1.1
 
God Save the Human Cannonball (2009) – 8 minutes
Orchestration:1*(picc.).1.1*(Eb cl. and bass cl.).1/1.1.1./perc. 2 players/1.1.1.1.1
 
Phantasmagoria (1997-98) – 10 minutes                                     
Orchestration: fl.*(picc.-bass fl.)cl.-bsn./horn-trombone/1 perc./violin-cello
 
May Wing and Net Dissever (1999) – 3 minutes             
Orchestration: 2*(alto flute)1*(b. cl.)/a. sax, b. sax/1.1.2.1/1 perc./e. guitar/e. bass guitar/piano
 
Souvenirs du vent (1996-97) – 18 minutes
Soloist: soprano
Orchestration: alto fl.*(picc.)1*(E.h)2*(b. cl.)1*(c. bsn.)/1.1.1/ 2 perc./piano/ 1.1.1.1.1
 
 
 
Concertos
 
Cloak (2016, rev. 2018), concerto for clarinet and ensemble - 14 minutes
Soloist: clarinet
Orchestration: 11*(E.H.)01/1110/1 perc./piano*(cel.)/10111
 
Apollo X (2013), concerto for bassoon – 18 minutes                                                            
Soloist: bassoon
Orchestration: 1 perc/strings 5.4.3.3.1 min.
 
Berliner Konzert (2009), Triple concerto - 25 minutes
Soloists: violin, cello, piano
Orchestration: strings 65432 min.
 
Tightrope (2004) Triple Concerto for 3 accordions and orchestra - 11 Minutes
Soloists: 3 accordions
Orchestration: 2*(picc.)-2-2*(b. cl.)-2/2-2-2/2. perc./timp./harp/strings
 
 
 
Chamber Music (2-6 players)
 
Three for Pi (2023) - 5'
for violin and viola
 
Through the Lens (2022) - 14'
for harp, percussion, fixed media and live electronics
 
Bytown Waters (2017) - 20'
For piano trio
 
Hey Hiromi (2017) - 7'
For two pianos
 
An Inopportune Time (2014) – 2’30”
For female voice, piano and tape
 
Apollo Dream (2014) - 10 minutes
Flute, violin, percussion (vibraphone and marimba)
 
Cadavre exquis, en homage à Guy Soucie (2013) – 10 minutes
Piano trio - violin, cello, piano
Composed in collaboration with Simon Bertrand, Nicolas Gilbert, Michel Frigon, Cléo Palacio Quentin and Mixime McKinley
 
Saltarello in 11 (2011) – 2-5 minutes
For any number of instruments
 
Charm (2006, 2010) – 6’30”
For piano 4 hands
 
Paranormal Tendencies (2010) – 4 minutes
For piano, four hands
 
Oracle (2009) – 6 minutes
Version for violin and cello
 
La chouette enchantée (2008) – 4 minutes
version for string quartet
 
La chouette enchantée (2008) – 4 minutes
Oboe, violin, viola and cello
 
Quarks Tropes (2007) – 12 minutes
Piano Trio – violin, cello, piano
 
Trance (2006-2007) – 12 minutes
String Quartet
 
Oracle (2007) – 6 minutes
For violin and percussion (hand drums such as bongos + congas or tabla or darbuka or bodhran, etc…)
 
Nothing but the Truth (2007) – 7 minutes
Piano Trio: violin, cello, piano
 
Song of the Soul (2006) – 5 minutes
For marimba and vibraphone
 
Ruins (2004, rev. 2006) - 9'30"
for string quartet
 
The Other Side of the Sky (2006) – 14 minutes
Piano Trio: violin, cello, piano
 
Slowdown (2006 version) – 7 minutes                                         
Version for two pianos and percussion (one player)
 
Slowdown (2003-2004) – 7 minutes                                          
Piano triette (6 hands)
 
Pill Culture (1999-2000) – 14 minutes                                          
Saxophone quartet
 
Vent (1996) – 5’30”
Soloist: soprano
Orchestration: alto fl.*(picc.)-cl.*(b. cl.)/piano/violin-viola-cello
 
Inamorata-Inamoratos (1994-95) – 14 minutes                          
violin, violoncello and double-bass 
 
 
 
Solos
 
 
Amelia, After Harbour Grace (2022) - 14'30"
for solo piano, fixed media and live electronics
 
Riffage Obbligato (2015) – 4’
For solo violin
 
Flyin’ Funk (2012) – 2 minutes
Solo piano
 
Pedal Zones (2012) - 1’30
Solo piano
 
Tzigeuner Time Bender (2012) – 3 minutes
Solo piano
 
The Trill is Gone (2012) - 2 minutes
Solo piano
 
Fuze (2008) – 8 minutes
For amplified violin and tape
 
Ke-te (2006) – 12 minutes
For solo tabla
 
Finnegans Quarks Revival (2005-2006) – 35 minutes
For solo piano
 
anno…00… (1998) – 8 minutes
For solo guitar
 
Meditation on the Water (1997) - 5 minutes
for solo guitar
 
Sunyata-In memoriam Ilya Stein (1995), for solo cello - 7'30"
for solo cello
 
 
 
Vocal and Choral Works
 
LEX, (2018-2022) - 38 minutes
for vocal soloists, mixed choir and chamber orchestra
 
Sometimes the Devil Plays Fate (2020) - 20 minutes
for solo mezzo soprano and large ensemble
 
An inopportune Time (2014) - 2'30"
for female voice, piano and audio file playback
 
Corpus (2011) – 20 minutes
Choir: double chamber choir (combined 24 voices or more)
Orchestration: percussion quartet
 
Seven Last Words of Christ (2007-2008) – 50 minutes
Soloist: high voice (soprano or male soprano or countertenor); Choir: SATB 16 voices minimum
Orchestration: strings – 5.4.3.2.1 minimum
 
Song of the Soul (2005) – 3 minutes
For vocal quartet
 
Veni, Creator Spiritus (2000) – 7 minutes
Soloists: SSSA (can be choristers); Choir: mixed SSAATTBB
 
Veni, Creator Spiritus (1995) – 5 minutes
Soloist: mezzo; Choir: SATB
Orchestration: violin, organ
 
 
 
Opera
 
Horizon Madog (2023) - 22 minutes
a chamber opera for baritone, mixed quartet, fixed media
in progress -
planned premieres, 2023: Feb. 2-6, Montreal, QC and London, ON; May 28, Wales, UK
 
Sirius on Earth (2001-2003) – 100 minutes
Vocal parts: coloratura soprano/soprano/mezzo soprano/counter-tenor/lyric tenor/2 baritones/bass
Orchestration: 1*(picc.).1.1*(b. cl)/1.11/1 perc./electric guitar*(12-string acoustic guitar)/ piano/ accordion/vln-vce-db*(5-string e. bass)
 
Libretto: Angela Murphy
 
Commissioned and developed by the Genesis Foundation as part of the Genesis Opera Project 
Co-produced by Almeida Opera and Aldeburgh Productions.
 
Premiere: July 17-27, 2003, Almeida Theatre, London, UK
Tour: Opening Concert, Aldeburgh Proms, August 1, 2003, Snape Maltings Concert Hall, UK
Almeida Ensemble and Cast, Cond. James Holmes. 

Electroacoustic Works
 
Florian Speaks (2023) - 8'49"
for Eurorack modular synthesizer
 
Finding Breath (2021) - 13'59"
Ambient Soundscape developed using VCV Rack, a live performance recording
 
Two Eugenes with a Saw (2021) - 3'45"
A generative piece developed in VCV Rack
 
That Which Brings the Fog and Mist (2021) - 9'15"
Texture and feedback improvisation for electric guitar and pedalboard
 
Chimera Waves (2021) - 8'45"
Texture and feedback improvisation for electric guitar and pedalboard
 
Neowise Flyby (2020) – 5'14"
Multitrack composition for Moog Subsequent 37
 
Kooltur (2020) – 3'27"
Multitrack composition for Moog Subsequent 37
 
Cigar, Anyone? (2020) – 5'13"
Multitrack composition for Moog Subsequent 37
 
Perception of Proportion (2020) - 8'57"
A multitrack composition using formant-based sample processing in Native instruments Kontakt
 
Siriusly Dance (2019) – 2'12"
Multitrack composition for Moog Subsequent 37
 
Groove Chube (2019) – 2'46"
Multitrack composition for Moog Subsequent 37
 
Subsequent Resonances (2019) – 5'52"
Multitrack composition for Moog Subsequent 37
 
Blueshift (2015) – 5’30”
For tape
 
An inopportune Time – 2'30"
for female voice, piano and audio file playback
 
Fuze (2008) – 8 minutes
For amplified violin and tape
 
The Baskervilles (2008) – 5’21”
For tape
 
Submerged Echoes (2007) – 5’10”
For tape
 
Distances (1999) – 18 minutes
Harpsichord, piano, synthesizer